Die Ölgemälde alles BOTTICELLI, Sandro
Choice ID Image  Painting (From A to Z)       Details 
5277 Allegoric Painting (from Villa Lemmi) hgjgh  Allegoric Painting (from Villa Lemmi) hgjgh   c. 1497 Fresco, 212 x 284 cm Mus??e du Louvre, Paris
5276 Allegoric Painting (from Villa Lemmi) d  Allegoric Painting (from Villa Lemmi) d   c. 1497 Fresco, 212 x 284 cm Mus??e du Louvre, Paris
43866 Allegory of Abundance  Allegory of Abundance   1480-85
44285 Baptism of St Zenobius and His Appointment as Bishop  Baptism of St Zenobius and His Appointment as Bishop   1500-05 Tempera on panel, 66,5 x 149,5 cm
5273 Calumny g  Calumny g   1495 Tempera on wood, 62 x 91 cm Galleria degli Uffizi, Florence
44276 Calumny of Apelles  Calumny of Apelles   1494-95 Tempera on panel, 62 x 91 cm
5274 Calumny, detail of Truth and Remorse f  Calumny, detail of Truth and Remorse f   1495 Tempera on wood, 62 x 91 cm (full picture) Galleria degli Uffizi, Florence
44275 Christ Crowned with Thorns  Christ Crowned with Thorns   c. 1500 Tempera on panel, 47,6 x 32,3 cm
56498 den mysrisks fodelsen  den mysrisks fodelsen   mk248 inskriptionen, som banvisar bade till apokalypsen ocb italiens priblem ar bade pa grekiskika ocb latin. botticelli botti bar anvant en mycket gammal teknik som for stor madonnan ocb barnet bilden kraver en atergang rill medeltidens moral.
44298 Extraction of St Ignatius- Heart  Extraction of St Ignatius- Heart   c. 1488 Tempera on panel, 21 x 40,5 cm
5275 Fortitude gf  Fortitude gf   1470 Tempera on wood, 167 x 87 cm Galleria degli Uffizi, Florence
5314 Giuliano de Medici  Giuliano de Medici   Panel, 76 x 53 cm National Gallery of Art, Washington
5312 Giuliano de Medici  Giuliano de Medici   1478 Panel, 54 x 36 cm Staatliche Museen, Berlin
44273 Giuliano de- Medici  Giuliano de- Medici   1478 Panel 54 x 36 cm
62942 Holy Trinity  Holy Trinity   1491-93 Tempera on panel Courtauld Institute Galleries, London The archangel Raphael is leading the young Tobias by the hand. He is holding a small box, and Tobias is carrying a fish in a noose. The fish is Tobias' attribute. He was advised by the angel to use its gallbladder to restore his blind father's sight; the miraculous gallbladder was kept in the box. Artist: BOTTICELLI, Sandro Painting Title: Holy Trinity (detail) , 1451-1500 Painting Style: Italian , , religious
62927 Illustration to the Divine Comedy  Illustration to the Divine Comedy   1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other
62928 Illustration to the Divine Comedy  Illustration to the Divine Comedy   1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other
44278 Inferno, Canto XVIII  Inferno, Canto XVIII   320 x 470 mm
43860 Judith Leaving the Tent of Holofernes  Judith Leaving the Tent of Holofernes   1495-1500 Tempera on panel, 36,5 x 20 cm
5280 La Primavera, Allegory of Spring  La Primavera, Allegory of Spring   1477-78 Panel, 315 x 205 cm Galleria degli Uffizi, Florence
5281 La Primavera, Allegory of Spring (detail)  La Primavera, Allegory of Spring (detail)   1477-78 Tempera on panel Galleria degli Uffizi, Florence
5308 Lamentation over the Dead Body of Christ dfhg  Lamentation over the Dead Body of Christ dfhg   1495 Tempera on wood, 140 x 207 cm Alte Pinakothek, Munich
44291 Lamentation over the Dead Christ  Lamentation over the Dead Christ   c. 1495 Tempera on panel, 107 x 71 cm
44287 Last Miracle and the Death of St Zenobius  Last Miracle and the Death of St Zenobius   1500-05 Tempera on panel, 66 x 182 cm
44272 Madonna and Child and the Young St John the Baptist  Madonna and Child and the Young St John the Baptist   1490-95 Tempera on canvas, 134 x 92 cm
5286 Madonna and Child with an Angel (detail) fghfgh  Madonna and Child with an Angel (detail) fghfgh   c. 1470 Tempera on wood Isabella Stewart Gardner Museum, Boston
44293 Madonna in Glory with Seraphim  Madonna in Glory with Seraphim   1469-70 Tempera on panel, 120 x 65 cm
5287 Madonna of the Magnificat fg  Madonna of the Magnificat fg   c.1485 Tempera on panel, diameter 118 cm Galleria degli Uffizi, Florence
5288 Madonna of the Pomegranate (Madonna and Child and six Angels) fdgd  Madonna of the Pomegranate (Madonna and Child and six Angels) fdgd   c. 1487 Panel Galleria degli Uffizi, Florence
5289 Madonna of the Rosengarden fhg  Madonna of the Rosengarden fhg   1469-70 Tempera on wood, 124 x 64 cm Galleria degli Uffizi, Florence
5285 Madonna with the Child (Madonna with the Book) vg  Madonna with the Child (Madonna with the Book) vg   1483 Panel, 58 x 40 cm Museo Poldi Pezzoli, Milan
44284 Miracle of St Eligius  Miracle of St Eligius   1490-92 Tempera on panel, 21 x 269 cm
5311 Mystical Nativity fg  Mystical Nativity fg   1501 Tempera on canvas, 108,5 x 75 cm National Gallery, London
5279 Pallas and the Centaur f  Pallas and the Centaur f   1482 Tempera on canvas, 207 x 148 cm Galleria degli Uffizi, Florence
62929 Paradise  Paradise   Canto VI 1490s Silverpoint on parchment, completed in pen and ink, 320 x 470 mm Staatliche Museen, Berlin Artist: BOTTICELLI, Sandro Title: Paradise, Canto VI Date: 1451-1500 Italian , graphics : other
62930 Paradise  Paradise   Canto XXX 1490s Drawing on parchment, 320 x 470 mm Staatliche Museen, Berlin In the Empyrean, the upper heaven, Dante and Beatrice are carried upwards in a river of light, from which fly sparkles which Botticelli depicts as little putti. They disappear in the meadows of flowers along the banks on either side. The one on the right had not been retraced with ink and was a preliminary drawing carried out in silver point. Artist: BOTTICELLI, Sandro Painting Title: Paradise, Canto XXX , 1451-1500 Painting Style: Italian , graphics Type: other
62941 Portrait of a Lady  Portrait of a Lady   1470-75 Tempera on panel, 65,7 x 41 cm Victoria and Albert Museum, London If the inscription on the window jamb, possibly dating from the 16th century, is to be believed, this is a portrait of Smeralda Brandini, who was a member of a respected Florentine family. A sign of her rank and respectable status is the handkerchief which she is holding in the hand placed across her body. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Lady , 1451-1500 Painting Style: Italian , , portrait
62940 Portrait of a Young Man  Portrait of a Young Man   1469 Tempera on panel, 51 x 33,7 cm Galleria Palatina (Palazzo Pitti), Florence Botticelli painted this portrait in a three quarter view like a silhouette against a pale blue sky. The young man, who is looking very slightly down towards the observer, is wearing a red jerkin and the characteristic headgear of the Florentine Quattrocento, the mazzocchio. The hat band which is casually draped across his shoulder provides an artistic frame for the young man's face. The sitter of the portrait is probably Gianlorenzo de' Medici, and it could very well be Botticelli's first commissioned work, and from the hair and the clothes, the portrait must date from no later than 1469. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Man , 1451-1500 Painting Style: Italian , , portrait
5318 Portrait of a Young Man fdgdf  Portrait of a Young Man fdgdf   1483 Panel, 45 x 32 cm National Gallery of Art, Washington
5316 Portrait of a Young Man fddg  Portrait of a Young Man fddg   1469 Tempera on wood, 51 x 33,7 cm Galleria Palatina (Palazzo Pitti), Florence
62943 Portrait of a Young Woman  Portrait of a Young Woman   1475 Tempera on panel, 61 x 40 cm Galleria Palatina (Palazzo Pitti), Florence There are several assumptions concerning the identity of the young woman (Simonetta Vespucci, Clarice Orsini, Fioretta Gorini etc.). The picture was partly repainted. The sleeve of the robe covers the left hand in a very unnatural way. The lock of hair coming loose from her bun gives a more spontaneous feeling to this severe profile portrait. The half length figure is slightly to the left of the centre of the picture. Behind her is a dark window frame and it contrasts with the gentle flow other contours. The attribution of the work to Botticelli is disputed. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait
5315 Portrait of a Young Woman (La bella Simonetta) fs  Portrait of a Young Woman (La bella Simonetta) fs   1475 Panel, 61 x 41 cm Galleria Palatina (Palazzo Pitti), Florence
5317 Portrait of a Young Woman 223ff  Portrait of a Young Woman 223ff   after 1480 Oil on panel, 47,5 x 35 cm Staatliche Museen, Berlin
62945 Portrait of a Young Woman after  Portrait of a Young Woman after   1480 Oil on panel, 47,5 x 35 cm Staatliche Museen, Berlin The authorship of Botticelli is debated. The identity of the sitter is not known, Simonetta Vespucci, Lucrezia Tornabuoni and Clarice Orsini are mentioned (but not proved) in the literature as probable sitter. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait
5313 Portrait of an Unknown Personage with the Medal of Cosimo il Vecchio fdgd  Portrait of an Unknown Personage with the Medal of Cosimo il Vecchio fdgd   1474 Tempera on wood, 44 x 32 cm Galleria degli Uffizi, Florence
43857 Portrait of Giuliano de Medici  Portrait of Giuliano de Medici   1476-77 Tempera on panel
62944 Portrait of Giuliano de Medici  Portrait of Giuliano de Medici   1475 Tempera on panel, 54 x 36 cm Accademia Carrara, Bergamo Three similar portraits of Giuliano still exist. In contrast to the version in Washington, the portraits that are now in Bergamo and Berlin were probably not created until after Giuliano's assassination during the Pazzi conspiracy in 1478, when copies would have been ordered by friends and relatives as commemorative portraits. Artist: BOTTICELLI, Sandro Painting Title: Portrait of Giuliano de' Medici , 1451-1500 Painting Style: Italian , , portrait
44271 Portrait of Giuliano de- Medici  Portrait of Giuliano de- Medici   c. 1475 Tempera on panel, 54 x 36 cm
44280 Portrait of Lorenzo di Ser Piero Lorenzi  Portrait of Lorenzo di Ser Piero Lorenzi   1490-95 Tempera on panel, 50 x 36,5 cm
44776 Primavera  Primavera   mk176 c.1478 tempera on panel 8x10
5298 San Ambrogio Altarpiece  San Ambrogio Altarpiece   c. 1467-70 Tempera on wood, 170 x 194 cm Galleria degli Uffizi, Florence
5303 San Barnaba Altarpiece (detail: head of St John) gdfg  San Barnaba Altarpiece (detail: head of St John) gdfg   1490 Tempera on wood Galleria degli Uffizi, Florence
5302 San Barnaba Altarpiece (Madonna Enthroned with Saints) gfj  San Barnaba Altarpiece (Madonna Enthroned with Saints) gfj   1490 Tempera on wood, 268 x 280 cm Galleria degli Uffizi, Florence
44289 Scenes from the Life of Moses  Scenes from the Life of Moses   1481-82 Fresco, 348,5 x 558 cm
62947 Scenes from the Life of Moses  Scenes from the Life of Moses   1481-82 Fresco Cappella Sistina, Vatican The central scene, in which Moses watering the sheep belonging to Jethro's daughters - one of them, Zipporah, later became his wife - is one of the most charming genre pictures in the entire cycle. According to the typologial interpretation, it is a reference to Christ, who looks after his Church. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious
62948 Scenes from the Life of Moses  Scenes from the Life of Moses   1481-82 Fresco Cappella Sistina, Vatican The detail shows Moses taking off his shoes. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious
62949 Scenes from the Life of Moses  Scenes from the Life of Moses   1481-82 Fresco Cappella Sistina, Vatican The detail shows a young girl and a soldier. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious
5299 St Augustine fdgdf  St Augustine fdgdf   1480 Fresco, 152 x 112 cm Ognissanti, Florence
44270 St Augustine in His Cell  St Augustine in His Cell   1490-94 Tempera on panel, 41 x 27 cm
44283 St Augustine in His Cell  St Augustine in His Cell   1490-92 Tempera on panel, 21 x 269 cm
44282 St John on Patmos  St John on Patmos   1490-92 Tempera on panel, 21 x 269 cm
62950 St Sixtus II  St Sixtus II   1481 Fresco, 210 x 80 cm Cappella Sistina, Vatican In the register above the history paintings, there were originally 28 portraits of popes decorating Sixtus IV's 'cappella magna'. They are imaginary portraits, some of which are derived from Botticelli's designs. As can be seen in the figure of Sixtus II, a namesake of the pope who commissioned the work, they are full length figures placed in niches and painted, so as to be seen from far below, high up on the walls of the room. Artist: BOTTICELLI, Sandro Painting Title: St Sixtus II , 1451-1500 Painting Style: Italian , , religious
62946 The Abyss of Hell  The Abyss of Hell   1480s Coloured drawing on parchment, 320 x 470 mm Biblioteca Apostolica Vaticana, Rome Dante imagined Hell as being an abyss with nine circles, which in turn divided into various rings. Botticelli's cross-section view of the underworld is drawn so finely and precisely that it is possible to trace the individual stops made by Dante and Virgil on their descent to the centre of the earth. Artist: BOTTICELLI, Sandro Painting Title: The Abyss of Hell , 1451-1500 Painting Style: Italian , graphics Type: other
5309 The Adoration of the Magi dfg  The Adoration of the Magi dfg   1470-75 Tempera on panel, 111 x 134 cm Galleria degli Uffizi, Florence
5310 The Adoration of the Magi (detail)  The Adoration of the Magi (detail)   1470-75 Tempera on panel Galleria degli Uffizi, Florence
5300 The Annunciation fd  The Annunciation fd   1480 Fresco, 152 x 112 cm Ognissanti, Florence
5301 The Annunciation gfhfghgf  The Annunciation gfhfghgf   1489 Tempera on wood,150 x 156 cm Galleria degli Uffizi, Florence
44297 The Birth of Christ  The Birth of Christ   200 x 300 cm
5284 The Birth of Venus (detail) dsfds  The Birth of Venus (detail) dsfds   c. 1485 Tempera on canvas, 172.5 x 278.5 cm (full painting) Galleria degli Uffizi, Florence
5283 The Birth of Venus (detail) ff  The Birth of Venus (detail) ff   c. 1485 Tempera on canvas, 172.5 x 278.5 cm (full painting) Galleria degli Uffizi, Florence
5282 The Birth of Venus fg  The Birth of Venus fg   c. 1485 Tempera on canvas, 172.5 x 278.5 cm Galleria degli Uffizi, Florence
5304 The Cestello Annunciation dfg  The Cestello Annunciation dfg   c. 1489 Tempera on panel, 150 x 156 cm Galleria degli Uffizi, Florence
5305 The Coronation of the Virgin (San Marco Altarpiece) gfh  The Coronation of the Virgin (San Marco Altarpiece) gfh   1490 Tempera on wood, 378 x 258 cm Galleria degli Uffizi, Florence
44295 The Discovery of the Murder of Holofernes  The Discovery of the Murder of Holofernes   c. 1472 Tempera on wood, 31 x 25 cm
5306 The Discovery of the Murder of Holophernes bfg  The Discovery of the Murder of Holophernes bfg   c. 1472 Tempera on wood, 31 x 25 cm Galleria degli Uffizi, Florence
44279 The Mystical Nativity  The Mystical Nativity   c. 1500 Tempera on canvas, 108,5 x 75 cm
44288 The Punishment of Korah  The Punishment of Korah   1481-82 Fresco, 348,5 x 570 cm
5307 The Return of Judith to Bethulia hgg  The Return of Judith to Bethulia hgg   c. 1472 Oil on panel, 31 x 24 cm Galleria degli Uffizi, Florence
5291 The Story of Nastagio degli Onesti (detail of the first episode) gfh  The Story of Nastagio degli Onesti (detail of the first episode) gfh   1483 Tempera on panel Museo del Prado, Madrid
5293 The Story of Nastagio degli Onesti (detail of the second episode) dghg  The Story of Nastagio degli Onesti (detail of the second episode) dghg   1483 Tempera on panel Museo del Prado, Madrid
5294 The Story of Nastagio degli Onesti (detail of the second episode) hgf  The Story of Nastagio degli Onesti (detail of the second episode) hgf   1483 Tempera on panel Museo del Prado, Madrid
5296 The Story of Nastagio degli Onesti (detail of the third episode) vgd  The Story of Nastagio degli Onesti (detail of the third episode) vgd   1483 Tempera on panel Museo del Prado, Madrid
5290 The Story of Nastagio degli Onesti (first episode) ghj  The Story of Nastagio degli Onesti (first episode) ghj   1483 Tempera on panel, 83 x 138 cm Museo del Prado, Madrid
5297 The Story of Nastagio degli Onesti (forth episode) df  The Story of Nastagio degli Onesti (forth episode) df   1483 Tempera on panel, 83 x 142 cm Private collection
5292 The Story of Nastagio degli Onesti (second episode) gfhgf  The Story of Nastagio degli Onesti (second episode) gfhgf   1483 Tempera on panel, 82 x 138 cm Museo del Prado, Madrid
5295 The Story of Nastagio degli Onesti (third episode) fdgfd  The Story of Nastagio degli Onesti (third episode) fdgfd   1483 Tempera on panel, 83 x 142 cm Museo del Prado, Madrid
44281 The Story of Virginia  The Story of Virginia   1496-1504 Tempera on panel, 85 x 165 cm
44290 The Temptation of Christ  The Temptation of Christ   1481-82 Fresco, 345 x 555 cm
44299 The Virgin Adoring the Child  The Virgin Adoring the Child   c. 1490 Tempera on panel, diameter 59,6 cm
44294 The Virgin and Child with Four Angels and Six Saints  The Virgin and Child with Four Angels and Six Saints   1488 Tempera on panel, 268 x 280 cm
44274 The Virgin and Child with Three Angels  The Virgin and Child with Three Angels   c. 1493 Tempera on panel, diameter 65 cm
44292 The Virgin and Child with Two Angels and the Young St John the Baptist  The Virgin and Child with Two Angels and the Young St John the Baptist   1465-70 Tempera on panel, 85 x 62 cm
44286 Three Miracles of St Zenobius  Three Miracles of St Zenobius   1500-05 Tempera on panel, 67,3 x 150,5 cm
44277 Transfiguration, St Jerome, St Augustine  Transfiguration, St Jerome, St Augustine   c. 1500 Tempera on panel, 27,5 x 35,5 cm
56497 varen  varen   mk248 grace, kolrit ovbdraperad kladnad bade botti lart sig av fra filippo lippi bottis tidiga tevkningsbegavning bade formidligen uppmuntrats av broderna pollaiuolo, vabeten som guldsmeder ocb gravor kravde en mycket avancerad bantverkickligbet.
5278 Venus and Mars fg  Venus and Mars fg   1480s Tempera on wood, 69 x 173,5 cm National Gallery, London
44296 Vision of St Augustine  Vision of St Augustine   c. 1488 Tempera on panel, 20 x 38 cm
BOTTICELLI, Sandro
Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.



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